The installation of Usion Shinohara’s Boxing Painting, 2009, now on view in the Japanese galleries, presented unique challenges. The work is quite large (60in x 130in), and is painted on an unmounted piece of canvas. How does one convey the energy of making the piece through the presentation of the piece? The painting appears to be hanging by small wires, but that is not the case. Hidden behind the painting is an elaborate hanging mechanism, to support the great length and weight of the canvas without a frame.
The apparent simplicity of the mount is deceptive; its large size requires complex construction and planning. The goal of the design is to provide good support for the artwork, appear unintrusive, and install easily into the narrow glass cases.
To ensure the safety of the piece four people were needed to support it during installation. Here, Shiho Sasaki carefully positions the rolled painting along the top of mount.
Three assistants carefully unroll the painting as she secures it to the mount with Velcro. The work is slow and deliberate, to make sure the painting is level and secure.
Check the Red River Valley Museum’s Conservation page to learn more about museum mounts.
It takes a village to create and install large paintings such as these. Shiho Sasaki (Conservator of Paintings), Marco Centin (Exhibition Designer), Evan Kierstead (Interim Head of Exhibitions), Vincent Avalos (Mountmaker), and Courtney Helion (Conservation Technician) collaborated on the concepts. Shiho Sasaki created the final design and Courtney Helion built a series of maquette versions, as well as final design. Cathy Mano, Associate Head of Registration, assisted with the installation.